Wednesday, 12 April 2017

Thusong Service Centres Need To Be More Connected To Their Communities

By Department of Communications (SA)

The Thusong Service Centre (formerly known as Multi-Purpose Community Centres — MPCCs) programme of government was initiated in 1999 as one of the primary vehicles for the implementation of development communication and information and to integrate government services into primarily rural communities. 

This was done to address historical, social and economic factors, which limited access to information, services and participation by citizens, as they had to travel long distances to access these services.

Thusong Service Centres are one-stop, integrated community development centres, with community participation and services relevant to people’s needs. They aim to empower the poor and disadvantaged through access to information, services and resources from government, non-governmental organisations (NGOs), parastatals, business, etc. enabling them to engage in government programmes for the improvement of their lives.

Government’s vision for Thusong Service Centres is to provide every South African citizen with access to information and services within their place of residence and in each local municipality by 2014 with the purpose of improving the quality of their lives through integrated service delivery.

By the end of March 2012, 171 Thusong Service Centres were in operation, making a crucial contribution to the expansion of infrastructure for access to information and services that citizens can use. 

Typical services found in these centres include those from the departments of Home Affairs, Labour, South African Social Security Agency (SASSA), Social Development, Government Communications and Information Systems (GCIS), and the department of Health as well as telecentres, the Post Office, libraries, agricultural extension offices and municipal services. Community Development Workers, the South African Police Service, NGOs and community-based organisations, also offer services through the centres.

Thusong Service Centre Partners


Harnessing the energy of partners is key to the programme

Building partnerships is a major focus of the Thusong Service Centre programme. Strong partnerships guarantee sustainable and effective service delivery at Thusong Service Centres. Partners support all aspects of the programme, from funding to enhancing the services provided.

Although the programme is driven by government, Thusong Service Centres are ideal platforms from which businesses and non-governmental organisations (NGOs) can offer their services and reach a wide sector of the market.

Qunu
June 2015
Each year, on the 17th of May the International Telecommunication Union marks the anniversary of the signing of the first International Telegraph Convention and the creation of this organisation.
Read more...


Partners at Thusong Service Centres are:
  • service providers (government, civil society and private sector)
  • government strategic planners/policy-makers (national, provincial and municipal)
  • local communities benefiting from Thusong Service Centres
  • development agencies
  • parastatals
  • funding partners
Participation and firm commitment are integral to the Thusong Service Centre programme. Consequently, partners have the following critical roles to play:
  • Political spheres: Influencing efficient service delivery and participatory partnership
  • National, provincial and local government: Strategic planners implement the programme, line departments ensure service delivery
  • Parastatals: Critical to infrastructural process
  • Civil society, community-based organisations and NGOs: Providing services and resources
  • Private sector: Providing services and contributing broader resources.
The Government Communication and Information System (GCIS) provides overall co-ordination and support, reporting to the Governance and Administration Cluster and Cabinet Committee. Other government partners and roles are listed below:

Partners in national government
  • National Treasury
    • Funding options and strategy
    • Alignment of funding
    • Public Private Partnership (PPP) strategy for Thusong Service Centres
    • Technical assistance with business planning
  • Department of Provincial and Local Government
    • Co-ordination at provincial, local and district level
    • Municipal Infrastructure Grant (MIG)
    • Alignment of Integrated Sustainable Rural Development Strategy/Urban Renewal Programme with Thusong Service Centres
  • Department of Public Service and Administration
    • E-government strategy through E-Gateway Portal
    • Legislation re: access strategy, service level agreements, human resources
    • Community Development Workers’ alignment strategy
    • Thusong Service Centre co-ordination
  • Department of Public Works
    • Infrastructure advice and roll-out
    • Lease agreements at centres
  • Department of Trade and Industry - Local Economic Development co-ordinators
    • Provision of economic opportunity projects and programmes
  • Departments of Home Affairs, Social Development, Labour, Agriculture, and Minerals and Energy
    • Roll-out alignment (budgets and infrastructure)
    • Service delivery plan at provincial and district levels
    • Resource deployment plan at district level (human resources and tools)
    • Reporting to national co-ordinator
Partners in provincial and local government
  • Premier’s offices
    • Co-ordination and governance at provincial level
    • Co-ordinate establishment and management of PPP at provincial level
    • Alignment with provincial growth and development summits
    • Report to national co-ordinators
    • Development of proper structures and systems, service level agreements, monitoring, evaluation and support of the programme
  • South African Local Government Association
    • Co-ordination of district and local municipalities
  • District and local municipalities
    • Co-ordination and governance of implementation at district and municipal levels
    • Provision of centre management and staff
    • Alignment with integrated development plans
    • Development and implementation of district and local promotional and marketing plans
Other partners
  • Department of Communications, South African Post Office, Sentech, National Electronic Media Institute of South Africa, Telkom
    • Information and communications (ICT) strategy
    • Community radio stations
    • Public Information Terminals (PiTs)
    • Contribute to intersectoral steering committees
  • Universal Service Access Agency of South Africa (USAASA)
    • ICT strategy
    • Establishment of telecentres
  • State Information Technology Agency
    • ICT strategy
    • Connectivity
  • South African Management Development Institute (SAMDI)
    • Capacity-building strategy
Many other government departments (national and provincial), NGOs and private-sector stakeholders support this programme as it intensifies. Partnership in the programme is worthwhile because:
  • information needs of citizens are placed first in the communication process
  • people are empowered through participation
  • development is based on consultation and strong networks at community level
  • a wide-level commitment is followed rather than a top-down process
  • you find improved access to services
  • there is face-to-face interaction between government and the people
  • the centre model suits community needs: hubs for large centres, satellites for smaller centres and mobile units for vast/inaccessible geographic areas.
SOURCE: Department of  Communications (South Africa)

Human Settlements

Access to low-income houses made easy by moladi in Africa


low-income houses in Africa
low-income houses in Africa

Access to low-income houses in Africa made easy by Moladi

By Thandisizwe Mgudlwa on March 11, 2013 in General News

Moladi, a South African based company established in 1986, makes housing accessible to low-income people through innovative and eco-friendly technology.

Decent housing is one of the key factors in the fight against poverty and social exclusion. It is not just about putting a roof over someone’s head – development experts attest.

Academic research proves that access to a clean and stable home implicates an improvement in security, health and education.

The Moladi system consists of a reusable and recyclable plastic formwork mould, which is filled with stone-less concrete and a special chemical additive. This additive ensures that, once the mortar is set, the formwork can be removed – and reused up to 50 times.

According to founder Hennie Botes, the brickless walls can withstand all types of weather. The formwork is lightweight allowing easy transportation. Due to the simplicity in design and the repetitive application scheme, construction costs can be reduced significantly.

The Moladi model is not only cost-effective but fast too. Botes further commented that the wall structure of a house can be completed within one day. A further plus point, especially in remote areas, is that the construction does not require heavy machinery or electricity.

With the motto “Train the unemployed to build for the homeless”, Moladi combines construction with economic development. The company also offers training locally for the unemployed thereby creating jobs and empowering the community as a whole.

Due to the simplicity of the approach, construction techniques and skills can be transferred in a short time. In this way, the communities benefit from affordable shelter and skilled entrepreneurs (in the area of low-cost housing) at the same time.

Moladi’s success in over 20 countries shows that affordable housing is an important key in finding solutions to promoting security and alleviating poverty.


Affordable Housing Production System - moladi
Affordable Housing Production System - moladi

For more information on Access to low-income houses made easy by moladi - visit www.moladi.net

 
Keywords - moladi, Access to low-income houses made easy, low-income housing, Africa, affordable housing, Hennie Botes, formwork, building system, construction techniques, entrepreneurs


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Thursday, 6 April 2017

Friday, April 7 March is a Trap. It's White propaganda. Middle class nonsense

Why do you wanna March?

Why don't you march when innocent children get killed daily in the coloured townships or when your boss fires people at your work unjustly.... 

Why don't you March because white people at your work get paid 6 times more for the same job and you taught them when they first came to work at your company..... 

Now you wanna march for what?

You must be sick!

Why don't you march for your relative that is struggling financially and give them some groceries and financial support but Jy wil March????? 

This March is a Trap. It's White propaganda...... Middle class nonsense......


Your March is gonna disenfranchise the poor tomorrow. It's not gonna pay you tomorrow.... 

Because the boss is gonna say come fetch your pay Monday and family has to go hungry this weekend........

By Emmanual Plachez from Cape Town

Wednesday, 5 April 2017

FRIDAY, APRIL 7, 2017 IS NORMAL WORKING DAY

Government warns anti-Zuma protesters

TMG Digital | 04 April, 2017 09:01 
 Image result for jacob zuma
 President Jacob Zuma.

The government has warned protesters demonstrating against President Jacob Zuma that police will crack down on illegal actions.

“Government assures all South Africans that Friday‚ 7th April‚ is a normal working day. We have noted social media messages which call for a shutdown of the country on Friday‚” the government communications unit GCIS tweeted on Monday night.
“The call made in these messages can have unexpected consequences especially for our fragile economy‚ business and communities. Whilst the public has a democratic right to embark on protest action‚ government does not support acts of civil disobedience.”

The GCIS warning comes after a social media campaign called on South Africans to take to the streets on Friday to urge Zuma to step down. Anti-Zuma sentiment has been growing since the president’s cabinet reshuffle last week‚ which booted out respected finance minister Pravin Gordhan and his deputy Mcebisi Jonas.
“When citizens take to the streets illegally‚ we often witness violence‚ destruction of property and lawlessness. These illegal protests do not possess the characteristics of strengthening democracy‚” GCIS tweeted.


“Those found guilty of any form of violence will face the might of the law. Government is of the view that SAns can engage each other on differences through meaningful dialogue and through appropriate platforms.”



Thursday, 30 March 2017

Soccer Laduma

Default

Legend Reveals Barker’s Secret To Bafana Success

Edward Motale Explains Why Clive Barker Succeeded With Bafana

By Soccer Laduma - Sep 12, 2016 08:38 AM

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Former Bafana Bafana defender, Edward Motale, has revealed how Clive Barker managed to achieve success when in charge of the national team.
Barker was in charge of the national team between 1994 and 1997, cementing his place in history when Bafana claimed their first and only Africa Cup of Nations title in 1996 and Motale has revealed the secret to his former mentor’s success.
“What Clive Barker got right as Bafana coach was that he selected players that were on form; those who were consistent that were playing every day, week in and week out, those who were putting in the effort. It was either that you were doing so locally or internationally,” he explained to Soccer Laduma.
The 50-year-old pointed to examples such as Cape Town City coach, Eric Tinkler and the late Shoes Moshoeu to prove his point.
“You can look at (Eric) Tinkler, he was playing every game overseas, Shoes (Moshoeu) was playing every game in Turkey. And, on this side, we were consistently playing every game,” he added. “But there were players that were just on form like Brendan Augustine who was playing for Bush Bucks and was scoring every game. He was on form then and then we used the likes of the late Sizwe (Motaung) who was also on form. So those were the elements that he used, that’s where we had a nice combination.”

Wednesday, 29 March 2017

The Southern Times


Now Bafana Bafana Need Clive Barker




Now Bafana Bafana Need Clive Barker
By Thandisizwe Mgudlwa
Cape Town – The South African Football Association (SAFA) must now re-hire Clive Barker to coach Bafana Bafana.
This is no time for SAFA to try things out if Bafana Bafana are to qualify for the 2018 World Cup in Russia.
Having failed to qualify for the Africa Cup of Nations (AFCON) 2017, Bafana Bafana now need the best person that has ever coached them. And that person is Clive Barker.
After a successful spell as the head coach of the South Africa’s senior soccer men’s team since early 1994 till December 1997, a few months before defending his 1996 African Nations Cup glory on home-soil, Barker was unceremoniously axed after the team’s early exist in the Confederations Cup held in Saudi Arabia.
Bafana Bafana had qualified to play in the inter-continental tournament due to them being African Champions in 1996.
If Barker had stayed on, he would have been the first coach to coach Bafana Bafana to the 1998 Soccer Wold Cup in France. Barker had qualified South Africa to the world’s greatest show.
But what is now clear is that Bafana Bafana is far away from being No 1 in Africa and No 16 world, which they had achieved under Barker.
Also in 1996, under Barker, FIFA bestowed Bafana Bafana with an international award as the most improved team, a Best Mover of the Year.
All the other coaches have not achieved anything close to what Barker achieved.
Barker was a professional footballer in the 1960s, playing for Durban City and Durban United having made his debut at the age of 17. He had a trial with Leicester City, but a serious knee injury quickly ended his career.
“The Dog”, as he is nicknamed, became a manager in the 1970s, coaching numerous clubs in South Africa, including Durban City, Manning Rangers, AmaZulu (Zulu Royals) and Santos Cape Town. In the 1980s, he won championships with various teams.
During his club career, he won two league championships and two league cups. He was one of the first white managers in the South African league.
In 2013, Barker took Wits University to forth spot of South Africa’s highest league the PSL. He has won numerous awards/honours and other many accolades.
Today, Bafana Bafana is 23 years old and is ranked around No 17 in Africa and 72 in the world.  Clearly Barker was the best thing to have happened to Bafana Bafana and probably to South African soccer generally.
SAFA must do South Africa a huge favour and return Barker to coach Bafana Bafana.
Shakes Mashaba can be given another portfolio within the technical department. However, if Clive Barker had to come back he would need to be given the right to choose his assistance coach and technical support.

SABC News

Bloemfontein Celtic legend Petrus Molemela described as a unifier

Monday 27 March 2017 20:40
Teboho Letshaba 

Molemela died yesterday and would have turned 84 next month 

Molemela died on Sunday and would have turned 84 next month(SABC)

The late Bloemfontein Celtic life president and former owner Petrus "Whitehead" Molemela has been described as a "unifier”.

Molemela died on Sunday and would have turned 84 next month.

Molemela an ardent cyclist has served football from the cradle to the grave. He joined Bloemfontein Celtic in the 70s.

It was at the height of the rivalry between the three Bloemfontein clubs; Mangaung FC, Mangaung United and the popular Bloemfontein Celtic.

Founding member of Bloemfontein Celtic, Abram "Ace" Sempe says the deceased helped unify the club, stating:  “Molemela joined the club when it facing financial difficulties. He helped unify the club. Rivalry was tense.”

Meanwhile, Bloemfontein Celtic legend, David "Chippa" Sefali says Molemela helped discover talent, sating: “They were the first Celtic team to win the trophy for Celtic in 1985. He regards him as a father. He helped unearth the talent.”

“Molemela loved Bloemfontein and used the club to develop talent in the Mangaung area. I met him when I was still a youngster in the late 80s,” recalls Bloemfontein Celtic ex-captain, Jeffrey "Styles" Legetla.

Plans are in place to honour Molemela.

Free State Sports MEC, Mmathabo Leeto says a sports museum will be erected where Molemela's memory will be depicted. Leeto added that Molemela was a servant of the people.

Molemela was also a devout Christian.

The memorial service will be held at a church on Friday.

Funeral details are yet to be finalised.
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Friday, 24 March 2017

Channel24

Grace Bible Church responds to uproar over Joe Mafela memorial

2017-03-23 15:42

Joe Mafela poses with his lifetime achievement award from the Comics' Choice Awards. Photo: Comics' Choice Awards
Cape Town - On Wednesday, former Generations actor Mangaliso Ngema revealed that Grace Bible Church in Soweto had asked the family of late actor Joe Mafela to pay R89k for a memorial service to be held, using their facilities.

Ngema has since apologised for and deleted that post, saying, "Friends and relatives, I need to make a public apology for posting about the Mafela family and Grace Bible church. I was not appointed spokesperson for the family and neither did I seek consent from them for posting. (sic)."

The Juice spoke to Ngema about those comments and he added, "I really put my foot in it with that post. I got so upset when I heard that. I wasn't thinking."

Now the church has responded, by releasing a statement to the press.

Read the full statement here:

"Grace Bible Church is a non-profit organisation with church facilities in areas where it is operational. The facilities have been funded by the members and serves their needs.

Communities in which the organisation operates sometimes request to use the church facilities and their requests are handled by the facilities division. They then get quoted based on the request.

Grace Bible Church members are not charged for the use of the facilities.

The public has often requested the use of the facilities for memorials and funerals.  As a church we only allow them to utilise the premises when they are available. They are required to pay for the overheads which include audio visual equipment and operators.

GBC reserves the right to discuss the terms with families and organisers as is standard with other facilities. We do not comment publicly on such issues, which can only be disclosed by organisers or families."

Joe Mafela's memorial service was subsequently held at Joburg Theatre on Thursday, 23 March.

Monday, 20 March 2017

TIMESLIVE


'He was a pioneer, a mentor, and a friend' - Joe Mafela's friends and colleagues pay tribute to him

Karishma Thakurdin and Kyle Zeeman | 20 March, 2017 07:00
Joe Mafela's "humble" nature remembered by friends.
Image by: Gallo Images / City Press / Denzil Maregele

In the wake of veteran actor Joe Mafela's death on Saturday night, his friends have remembered the massive contribution he made to the acting fraternity and the "humble" man who made the nation laugh.

Mafela's sudden death has left those who were close to him in a state of shock.
Actor Luthuli Dlamini, who spoke to TshisaLIVE from Sun City where the annual South African Film and Televison Awards (Saftas) took place over the weekend, said they were all devastated by Mafela's death.
"I am at the Saftas at the moment and the mood is sad and sombre. Nobody here can believe it and we are all still in shock. Everybody is sharing how Joe touched their lives and their art – so it is clear that he played a massive part in building the industry in South Africa," he said.
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Luthuli added that Mafela's willingness to help and give advice to younger actors inspired him.
"He was an incredible person, a light and inspiration not only in his art but also in his love for people. He was a pioneer, a mentor, and a friend and we will miss him."
Veteran actress Lillian Dube and close friend recounted how happy he was on Saturday.
"He just returned from a cruise with his wife and he wanted to show me his photos. His death was a shock and I am very sad but I am grateful that God gave SA a chance to see his talent,"Lillian told TshisaLIVE.
The actress said she and Joe discussed not being invited to the Saftas and how they felt like they were "forgotten".
" I asked him how he could go on a cruise while the Saftas was on and he said that he was not invited. I was not invited either. We spoke about the industry and how we were being marginalised and not being given enough respect for what we've done. We need to be honoured while we are still alive not forgotten," she added.
Veteran actor and president of the Creative Cultural Industries of SA, Tony Kgoroge, echoed Lillian's sentiments.
 "We cannot be allowed to let pioneers of the industry like Ma Dube and Joe Mafela to be forgotten. This needs to be rectified and these legends honoured while they are still alive," he said.
Tony described Mafela as a brother and a friend, who would be sorely missed. "His giant personality filled the room and will leave a gigantic hole in the industry," he added.
A culpable homicide investigation is currently underway after an Izuzu van collied into Mafela's Ford Figo on the M1 North in Johannesburg at around 10pm on Saturday night. Mafela was declared dead on scene by paramedics.

The New York Times

Chuck Berry, Rock ’n’ Roll Pioneer, Dies at 90

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Video

Chuck Berry's Rock ’n’ Roll Legacy

Jon Pareles, a music critic for The New York Times, reflects on the pioneering music and attitude of the rock legend Chuck Berry.
By Carrie Halperin on Publish Date March 18, 2017. Photo by Donal F. Holway/The New York Times. Watch in Times Video »
Chuck Berry, who with his indelible guitar licks, brash self-confidence and memorable songs about cars, girls and wild dance parties did as much as anyone to define rock ’n’ roll’s potential and attitude in its early years, died on Saturday at his home near Wentzville, Mo. He was 90.
The St. Charles County Police Department confirmed his death on its Facebook page. The department said that it responded to a medical emergency at the home, about 45 miles west of St. Louis, and that lifesaving measures were unsuccessful.
While Elvis Presley was rock’s first pop star and teenage heartthrob, Mr. Berry was its master theorist and conceptual genius, the songwriter who understood what the kids wanted before they knew themselves. With songs like “Johnny B. Goode” and “Roll Over Beethoven,” he gave his listeners more than they knew they were getting from jukebox entertainment.
His guitar lines wired the lean twang of country and the bite of the blues into phrases with both a streamlined trajectory and a long memory. And tucked into the lighthearted, telegraphic narratives that he sang with such clear enunciation was a sly defiance, upending convention to claim the pleasures of the moment.
In “Sweet Little Sixteen,” “You Can’t Catch Me” and other songs, Mr. Berry invented rock as a music of teenage wishes fulfilled and good times (even with cops in pursuit). In “Promised Land,” “Too Much Monkey Business” and “Brown Eyed Handsome Man,” he celebrated and satirized America’s opportunities and class tensions. His rock ’n’ roll was a music of joyful lusts, laughed-off tensions and gleefully shattered icons.
Mr. Berry was already well past his teens when he wrote mid-1950s manifestoes like “Roll Over Beethoven,” “Rock and Roll Music” and “School Day.” Born Charles Edward Anderson Berry on Oct. 18, 1926, in St. Louis, he grew up in a segregated, middle-class neighborhood there, soaking up gospel, blues, and rhythm and blues, along with some country music.
He spent three years in reform school after a spree of car thefts and armed robbery. He received a degree in hairdressing and cosmetology and worked for a time as a beautician; he married Themetta Suggs in 1948 and started a family. She survives him, as do four children: Ingrid Berry, Melody Eskridge, Aloha Isa Leigh Berry and Charles Berry Jr.
By the early 1950s, he was playing guitar and singing blues, pop standards and an occasional country tune with local combos. Shortly after joining Sir John’s Trio, led by the pianist Johnnie Johnson, he reshaped the group’s music and took it over.
From the Texas guitarist T-Bone Walker, Mr. Berry picked up a technique of bending two strings at once that he would rough up and turn into a rock ’n’ roll talisman, the Chuck Berry lick, which would in turn be emulated by the Rolling Stones and countless others. He also recognized the popularity of country music and added some hillbilly twang to his guitar lines. Mr. Berry’s hybrid music, along with his charisma and showmanship, drew white as well as black listeners to the Cosmopolitan Club in St. Louis.
In 1955, Mr. Berry ventured to Chicago and asked one of his idols, the bluesman Muddy Waters, about making records. Waters directed him to the label he recorded for, Chess Records, where one of the owners, Leonard Chess, heard potential in Mr. Berry’s song “Ida Red.”
A variant of an old country song by the same name, “Ida Red” had a 2/4 backbeat with a hillbilly oompah, while Mr. Berry’s lyrics sketched a car chase, the narrator “motorvatin’” after an elusive girl. Mr. Chess renamed the song “Maybellene,” and in a long session on May 21, 1955, Mr. Chess and the bassist Willie Dixon got the band to punch up the rhythm.
Slide Show
Slide Show

Chuck Berry Dies at 90

CreditFred R. Conrad/The New York Times
“The big beat, cars and young love,” Mr. Chess outlined. “It was a trend, and we jumped on it.”
The music was bright and clear, a hard-swinging amalgam of country and blues. More than 60 years later, it still sounds reckless and audacious.
Mr. Berry articulated every word, with precise diction and no noticeable accent, leading some listeners and concert promoters, used to a different kind of rhythm-and-blues singer, to initially think that he was white. Teenagers didn’t care; they heard a rocker who was ready to take on the world.
The song was sent to the disc jockey Alan Freed. Mr. Freed and another man, Russ Fratto, were added to the credits as songwriters and got a share of the publishing royalties. Played regularly on Mr. Freed’s show and others, “Maybellene” reached No. 5 on the Billboard pop chart and was a No. 1 R&B hit.
In Mr. Berry’s groundbreaking early songs, his guitar twangs his famous two-stringed lick. It also punches like a horn section and sasses back at his own voice. The drummer eagerly socks the backbeat, and the pianist — usually either Mr. Johnson or Lafayette Leake — hurls fistfuls of tinkling anarchy all around him.
From 1955 to 1958, Mr. Berry knocked out classic after classic. Although he was in his late 20s and early 30s, he came up with high school chronicles and plugs for the newfangled music called rock ’n’ roll.
No matter how calculated songs like “School Day” or “Rock and Roll Music” may have been, they reached the Top 10, caught the early rock ’n’ roll spirit and detailed its mythology. “Johnny B. Goode,” a Top 10 hit in 1958, told the archetypal story of a rocker who could “play the guitar just like ringin’ a bell.”
Mr. Berry toured with rock revues and performed in three movies with Mr. Freed: “Rock, Rock, Rock,” “Mr. Rock and Roll” and “Go, Johnny, Go.” On film and in concert, he dazzled audiences with his duck walk, a guitar-thrusting strut that involved kicking one leg forward and hopping on the other.
Through the 1950s, Mr. Berry had pop hits with his songs about rock ’n’ roll and R&B hits with less teenage-oriented material. He spun surreal tall tales that Bob Dylan and John Lennon would learn from, like “Thirty Days” and “Jo Jo Gunne.” In “Brown Eyed Handsome Man,” from 1956, he offered a barely veiled racial pride. His pithiness and humor rarely failed him.
In 1957, Mr. Berry bought 30 acres in Wentzville, where he built a short-lived amusement park, Berry Park, and a restaurant, the Southern Air. In 1958, he opened Club Bandstand in the theater district of St. Louis.
In the early 1960s, Mr. Berry’s songs inspired both California rock and the British Invasion. The Beach Boys reworked his “Sweet Little Sixteen” into “Surfin’ U.S.A.” (Mr. Berry sued them and won a songwriting credit.) The Rolling Stones released a string of Berry songs, including their first single, “Come On,” and the Beatles remade “Roll Over Beethoven” and “Rock and Roll Music.”
But by the time his music started reaching a new audience, Mr. Berry was in jail.
He had been arrested in 1959 and charged with transporting a teenage girl — who briefly worked as a hatcheck girl at Club Bandstand — across state lines for immoral purposes. He was tried twice and found guilty both times; the first verdict was overturned because of racist remarks by the judge. When he emerged from 20 months in prison in 1964, his wife had left him (they later reconciled) and his songwriting spark had diminished.
He had not totally lost his touch, though, as demonstrated by the handful of hits he had in 1964 and 1965, notably “Nadine,” “No Particular Place to Go,” “You Never Can Tell” and “Promised Land.” He appeared in the celebrated all-star 1964 concert film “The TAMI Show,” along with James Brown, the Rolling Stones, Marvin Gaye, the Beach Boys and the Supremes.
While he toured steadily through the 1960s, headlining or sharing bills with bands that grew up on his songs, his recording career stalled after he moved from Chess to Mercury Records in 1966. He remade some of his old hits and tried to reach the new hippie audience, recording “Live at the Fillmore Auditorium” with the Steve Miller Band, billed as the Steve Miller Blues Band at the time. When he returned to Chess in 1970, he recorded new songs, like “Tulane” and “Have Mercy Judge,” that flashed his old wit but failed to reach the Top 40.
In 1972, Mr. Berry had the biggest hit of his career with “My Ding-a-Ling,” a double-entendre novelty song that was included on the album “The London Chuck Berry Sessions” (even though he recorded the song not in London but at a concert in Coventry, England). The New Orleans songwriter Dave Bartholomew wrote and recorded it in 1952; Mr. Berry recorded a similar song, “My Tambourine,” in 1968, and is credited on recordings as the sole songwriter of the 1972 “My Ding-a-Ling.”
It was a million-seller and Mr. Berry’s first and only No. 1 pop single. It was also his last hit. His 1973 follow-up album, “Bio,” was poorly received; “Rockit,” released by Atlantic in 1979, did not sell. But he stayed active: He appeared as himself in a 1979 movie about 1950s rock, “American Hot Wax,” and he continued to tour constantly.
In July 1979, he performed for President Jimmy Carter at the White House. Three days later, he was sentenced to 120 days in federal prison and four years’ probation for income tax evasion.
He had further legal troubles in 1990 when the police raided his home and found 62 grams of marijuana and videotapes from a camera in the women’s room of his restaurant. In a plea bargain, he agreed to a misdemeanor count of marijuana possession, with a suspended jail sentence and two years’ probation.
By the 1980s, Mr. Berry was recognized as a rock pioneer. He never won a Grammy Award in his prime, but the Recording Academy gave him a lifetime achievement award in 1984. He was in the first group of musicians inducted into the Rock and Roll Hall of Fame in 1986.
Around his 60th birthday that year, he allowed the director Taylor Hackford to film him at his home in Wentzville for the documentary “Hail! Hail! Rock ’n’ Roll,” which also included performances by Mr. Berry with a band led by Keith Richards of the Rolling Stones and special guests. “Chuck Berry: The Autobiography” was published in 1988.
Mr. Berry continued performing well into his 80s. He usually played with local pickup bands, as he had done for most of his career, but sometimes he played with fellow rock stars. When the Rock and Roll Hall of Fame and Museum opened in Cleveland in 1995, Mr. Berry performed at an inaugural concert, backed by Bruce Springsteen and the E Street Band.
In 2012, he headlined a Cleveland concert in his honor with a genre-spanning bill that included Darryl McDaniels of Run-D.M.C. and Merle Haggard. Although he told reporters before the show, “My singing days have passed,” he performed “Johnny B. Goode” and “Reelin’ and Rockin’” and joined the other musicians for the closing number, “Rock and Roll Music.”
From 1996 to 2014, Mr. Berry performed once a month at Blueberry Hill, a restaurant in St. Louis where he appeared regularly until Oct. 24.
He made a surprising announcement on his 90th birthday, Oct. 18, 2016: He was planning to release his first studio album in almost 40 years. The album, called simply “Chuck” and scheduled for release in June, was to consist primarily of new compositions.
And Mr. Berry’s music has remained on tour extraterrestrially. “Johnny B. Goode” is on golden records within the Voyager I and II spacecraft, launched in 1977 and awaiting discovery.
Christopher Mele contributed reporting.

TIMESLIVE

SA’s first black woman novelist‚ Miriam Tlali‚ dies

TMG Digital | 2017-03-03 09:21:51.0
In 1975, Miriam Tlali became the first African woman novelist to be published in South Africa. File photo.
Image by: Gallo Images/Brett Eloff/Media 24

President Jacob Zuma has expressed his condolences on the passing of legendary author Miriam Tlali‚ who died at the weekend.

Tlali‚ the first black woman to publish a novel in South Africa‚ was 83.
“We have learned with deep sadness of the passing of one of the country’s internationally celebrated black female authors‚ Ms Tlali‚ who played a critical role during the liberation struggle by telling a true South African story through her anti-apartheid novels‚ amongst other writings‚” Zuma said in a statement.
 
“She will be remembered for her outstanding literary work which earned her several accolades and honours including the Order of Ikhamanga which was bestowed on her for her excellent intellectual achievements and contribution to the development of literature in South Africa. We wish to convey our deepest condolences to her family‚ relatives and all in the arts and culture industry. May her soul rest in peace.”
Tlali was born in Doornfontein in Johannesburg and grew up in Sophiatown‚ according to sahistory.org.za. Tlali applied to study literature at the University of the Witwatersrand‚ but could not gain entry because of racial policies‚ and instead went to study at Pius the XII University (now University of Lesotho). After being forced to drop out because of financial constraints‚ Tlali found a job as a bookkeeper at a furniture store.
Tlali’s groundbreaking novel‚ Muriel at Metropolitan‚ was published in 1975 and banned four years later by the apartheid government. Her second novel‚ Amandla‚ was based on the 1976 youth uprisings and suffered the same fate shortly after publication. Both novels were translated into several languages‚ including Japanese‚ Polish‚ German and Dutch.
Tlali’s literature took her all over the world‚ including a residency at Yale University in 1989.
In 1995‚ the Department of Arts‚ Culture‚ Science and Technology honoured her with a Literary Lifetime Achievement Award and in 2008 she received the Presidential Award‚ Ikhamanga Silver.

Thursday, 16 March 2017

Soccer Laduma

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News Article  | PSL

Breaking: Jordaan Elected Into CAF ExCo

Danny Jordaan Has Been Elected Into The CAF Executive Committee

By Soccer Laduma - Mar 16, 2017 04:38 PM
SAFA President, Danny Jordaan, has been elected into CAF's Executive Comittee after today's vote in Addis Ababa.

Jordaan beat off competition from Frans Mbidi and Rui Eduardo da Costa to land the spot for the Southern zone, securing his place in the ExCo after years of trying to gain a seat at the table.

Other individuals that were elected to the committee today were Fouzi Lekjaa, Amadou Diakité, Amaju Pinnick, Suleiman Hassan Waberi, Isha Johansen.

Tarek Bouchamoui, Almamy Kabele Camara and Lydia Nsekera were appointed as African representatives to the FIFA council.

All this news comes on the same day that Ahmad Ahmad completed a shock victory over Issa Hayatou, and will now become CAF's first new President since the man from Cameroon took over way back in 1988.